Boots Of Spanish Leather
by Bob DylanTranspose
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Boots of Spanish Leather – Bob Dylan
Written by: Bob Dylan
From: "The Times They Are A-Changin'" (1964)
Tabbed by: maguri
Tuning: Standard
Picking and voicings are similar to Girl from the North Country
capo: 1st fret
play: G
key: Ab/G#
CHORDS
E-A-D-G-B-e
C/G 3-x-2-0-1-0
Em9 0-x-4-0-3-0
D7F# 2-x-0-2-1-x
Intro
2/4
Verse 1
Oh I'm
sailin' away my
own true l
ove
[ Em ] Dylan (accidentally?) plays an Em here.
I'm sailin
' away in the
mor
ning
Is there
something I can send you from a
cross the s
ea
From the
place that
I'll be
land
ing?
Verse 2
No, there's
nothin' you can send me, my
own true l
ove
There's
nothin' I
wish to be o
wnin
'
Just
carry yourself back to
me uns
poil
ed
From a
cross that
lonesome
ocean
Verse 3
Oh, but
I just thought you might
want something
fine
Made of
silver
or of go
lden
Either
from the mountains
of Mad
rid
Or from the
coast of
Barce -
lona
Verse 4
Oh, but if I
had the stars from the dark
est night
And the
diamonds from the
deepest
ocea
n
I'd for
sake them all for
your sweet k
iss
For that's
all I'm
wishin' to be
ownin'
Verse 5
That I
might be gone a
long old t
ime
And it's
only
that I'm a
skin
'
Is there
something I can send you to re
member me
by
To make your
time more
easy
passin
'?
Verse 6
Oh, how
can, how can you
ask me ag
ain
It
only
brings me s
orro
w
The
same thing I would
want to
day
I would
want a
gain to
morrow
Verse 7
Oh
I got a letter on a
lonesome d
ay
It was
from her
ship a-s
aili
n'
Saying
I don't know when I'll be
comin' back a
gain
It de
pends on
how I'm
feelin
'
Verse 8
If
you, my love, must
think that-a-w
ay
I'm
sure your
mind is r
oami
n'
I'm
sure your thoughts are
not with
me
But with the
country to
where you're
goin'
Verse 9
So take
heed, take heed of the
western w
ind
Take
heed of the
stormy we
athe
r
And
yes, there's something you can
send back to
me
Spanish
boots
o-o-of
Spa-a-nish
leathe
r
[Coda]
Time signature changes for the whole song.
The pattern stays the same for most of the verses.
Sometimes there is an extra (half)bar at the end.
The first verse misses out on the D7/F# in the second line.
The last verse of Verse 7 has a slight variation.
The last line of the last verse has full bars of Em9 and D7/F#.
Intro
2/4
Verse 1
2/4
2/4
Verse 2
2/4
2/4
Verse 3
2/4
2/4
Verse 4
2/4
Verse 5
2/4
2/4
Verse 6
2/4
2/4
Verse 7
2/4
Verse 8
2/4
2/4
Verse 9
2/4
[Coda]
1x